There’s an engimatic quality to the role of Nolan in the current filmmaking landscape.
Burton puts more of a premium on sound and image to suggest character depths than the more prosaic Christopher Nolan does.
Without question, Bale remains one of Hollywood’s most versatile and risk-taking leading men.
Aside from the ethics of 3D, it’s undeniable that Catching Fire will be at an economic disadvantage without it, losing as much as $4 per ticket in some cases.
Blergh. Weeks ago I dreamed a dream where all the particulars of my presently contentious relationship with Anne Hathaway were manifest.
American Animal’s poster, like the film, finds common ground between the high- and lowbrow, the artful and the infantile.
Does Looper have a prayer in the Visual Effects race, where tigers and hobbits and Avengers will be sprinting, neck-in-neck?
Conventional wisdom says this film would surely have the sound categories in the bag.
At the center of all three of films is a deep tension regarding heroism and its tangible impact on the mass corruption infecting much of society’s institutions.
Go figure Crystal Castles would regard syncopation as something in need of lancing.
Men in masks have been darting across the movie screen since the days of silents and serials.
The first official poster for Quentin Tarantino’s latest is primarily featured here because its reveal is something of an event.
For all the similarities between these two posters, it’s important to note that their central logos are fundamentally opposite.