Oh, boy, those are danger signs all over place.
Since Hoover ran the Bureau for fifty years, there is a lot that is left out, enough to make another film.
My wife and I have been huge fans of the Canadian Cirque du Soleil since it first played in Los Angeles at an Arts Festival in 1986.
Funny People is unfocused and very repetitive, both overall and in individual scenes
Understanding Screenwriting #29: Departures, Tetro, The Proposal, Fellini Satyricon, & More
by Tom Stempel
Departures is a lovely, moving, funny, and hugely satisfying film.
Understanding Screenwriting #20: Moscow, Belgium, He’s Just Not That Into You, The International, & More
by Tom Stempel
Boy and girl meet cute, argue, have problems, get together in the end.
Understanding Screenwriting #19: Teaching the Young, Minsky’s, Captain Blood, In Old Chicago, & More
by Tom Stempel
Captain Blood is the film that made Errol Flynn a star after his appearing in smaller parts in a few Warners pictures.
Can Eastwood pick ‘em or what?
What we need is the Broadcast News version of The Women.