Campillo’s film offers more than just the compelling social-realist ideas on its surface.
Some of the films in competition attempted to remind the cushioned critics of reality.
It shouldn’t come as a surprise to anyone who truly understands how the Oscars work that the still above isn’t from Asghar Farhadi’s A Separation.
AMPAS finally elects an executive committee to give a second chance to films snubbed during this category’s first round of voting.
For the first time, Slant has decided to tackle nomination predictions in the screenplay categories. Why, you ask?
What makes Kelly Reichardt’s Wendy and Lucy so haunting is mostly ineffable.