It turns out the ghosts in the shadows and the monsters with red eyes aren’t horrific enemies, but different versions of our best and worst selves.
Throughout Uncle Boonmee, a film cooly transfixed by the open-door relationship between the living and the dead, Apichatpong Weerasethakul sees weirdness and wonder in the mundane.
Cannes Film Festival 2010: Fair Game, Route Irish, & Uncle Boonmee Who Can Recall His Past Lives
by Matt Noller
Joe Wilson: Great American, or greatest American?