Godzilla and Kong’s team-up is an inevitability, but the film takes its sweet time getting there.
Verbinski’s real purdy (and genuinely entertaining) big-budget western has been snuck out on video under cover of darkness.
There’s nothing strange—or in any way extraordinary—about this dim-witted bore.
It’s apt that Disney’s Pirates of the Caribbean trilogy has experienced a trajectory not unlike that of a rollercoaster.
Scott’s next project is a remake of The Warriors. By the time of its release, Walter Hill fans will wish they could fold back time and prevent its making.
Bobby is an overly earnest bit of hero worship buried amidst an especially pedestrian, multi-narrative melodrama.
Larry King says, “Finally, a movie worth seeing over and over again.” I say, “I barely could get through it once!”
How to explain the generous reviews granted to the latest film by Tony Scott, the meister of the overbearing, trashy exploitation action genre?
Tony Scott doesn’t even wait for Déjà Vu to properly begin before employing the spastic visual stylings that are his calling card.
Even for a sequel, Pirates of the Caribbean: Dead Man’s Chest takes the practice of double-dipping to extreme depths.
This DVD will not disappoint purists concerned that Disney might once again remaster one of their films from a newly updated version.
Is there a single culture the animation department at Disney hasn’t white-washed for the masses?
Is he gay? Is he drunk? Is he a skunk? Find a special little place in your heart for Johnny Depp’s Jack Sparrow.
One would think it a curse to have to transform a theme park attraction into a summer cinematic spectacle.
Disney’s Treasure Planet may be the company’s least cloying cartoon in years.