The film succeeds admirably both as a crackerjack crime thriller and as a moral exposé of human evil.
The stage bred many of 2012’s finest film adaptations.
Understanding Screenwriting #93: The Deep Blue Sea, A Separation, Pauline Kael, & More
by Tom Stempel
Terence, meet Terence.
Terence Davies’s films often run on multiple kinds of consciousness.
I can think of worse tasks than judging films in the elegant Basque city of San Sebastián, known as Donostia to the locals.
A Golden Novak Djokavic, in recognition of otherworldly improvement in 2011, goes to Yorgos Lanthimos for Alps.