Yann Demange’s ‘71 isn’t meant to look like one continuous shot, as Birdman is, but it often feels that way anyway.
Alejandro González Iñárritu’s anti-critic harangue is petty coming from a writer-director whose spotty filmography has largely been met with critical praise.
Unremarkable films propped up by exceptional lead performances are as much a certainty of the autumnal season as yellow leaves and pumpkin patches.
The Telluride Film Festival is the home away from home for cinephiles the world over.
Telluride effectively plays two roles within the film festival economy.