The lusterless camerawork keys itself almost empathetically to the drab reality of the film’s spaces, but it can’t enliven the hackneyed plot.
The wealth of extras here would outlast even Rob Bottin’s own leg-shaving party.
Beautiful Creatures got us thinking about beautiful creatures of movies past—characters not quite human, but quite easy on the eyes.
The film is going to net a lot of undue, hyperbolic ink, simply because it’s the first Twilight installment that’s compulsively watchable.
Breaking Dawn offers precious few returns, and it continually punishes all who curb their cynicism for even a split second.
Odds are John Singleton doesn’t know he’s made one of the funniest films of the year.
Here’s hoping Charlie figures out what’s going on before the next sequel leads him to heavy imbibing.
An eyesore on the big screen, Valentine's Day is now close to one on your TV. Go read The Sound and the Fury instead.
Atrocious, yes, but you can’t say the pandering New Moon doesn’t understand the hormonal impulses of its target audience.
The film is about as personal and memorable as a seasonal card your significant other snatches up from a Duane Reade at the last minute.
Parents: If I can (poorly) discipline a 16-year-old cat to not howl before sunrise, you can teach your kids to not emulate Bella Swan.
No matter how hard he tries, Robert Rodriguez can’t make 3-D tolerable or cool.