A relentless stream of twists and turns that exude neither imagination in their craftsmanship nor moral revulsion in their implications.
It bears mentioning that one of the two times we’ve gotten this category wrong was when we disregarded the almost always reliable frilliest-always-wins rule.
For all its pomp and fabulosity, Mirror Mirror is actually Tarsem Singh’s most minimalistic effort.
If there’s anything that can excite an impassioned debate among film fans, it’s the topic of 3D.
Dashing across the screen in all its bloody, gilded glory, the awesome and beautiful Immortals marks an all-win scenario.
Tarsem Singh’s transgressive visual statement revolves around two layers of fiction.
The Fall is a wearying nosedive through a self-indulgent imagination.