You won’t find The Birdcage among our ranks, but you will find Paul Morrissey’s Trash.
Almost out of necessity, White finds a particularly prominent motif throughout Haynes’s work: a fascination with the out-of-line family.
I discovered Haynes’s work in those golden years when I was precociously overenrolled, swaggeringly social, and getting laid all the time.
In all of his films, Todd Haynes takes elements of gaudy tabloid culture and warps them to his own purposes.