Fast X is closer to fan fiction or self-parody than the real deal.
Universal’s 4K disc captures F9’s big spectacle with a perfect audio/visual presentation.
At its best, F9 delivers the most spatially coherent, dynamic car scenes in the series to date.
It lays bare that the franchise’s most radical asset is also its most conservative: an overriding emphasis on, above all else, the on-screen family.
Hill’s “anti-buddy” movie arrives on a disc as barebones as the feature presentation.
Justin Lin strives to approximate something like Ocean’s Eleven for petrosexuals.
Walter Hill thoughtfully regards the pummeling power of weaponry at work.
Fast Five and I have something in common: We both have no use for the first four Fast and the Furious films.
Despite the fact that its style comes off as somewhat schizophrenic, Undoing is a film of remarkably direct emotions.
The film is a jovial endeavor aimed at once again addressing the meager and disparaging big-screen representation of Asian-Americans.
Like Jared Hess before him, director Michael Kang is the new kid on the block who wants to play inside Wes Anderson’s clubhouse.
Similar to its two predecessors in melodrama and gloss, the film follows in its own tradition of quality.
Too bad the film isn’t as politically subversive as it thinks it is (or should have been).
Its rage is problematic but the film itself is a breath of fresh of air.