We discuss Vadim wanting to watch Toys as a six-year-old, the incompetence of Mark L. Lester, and more.
We discuss filmmaking as a job, The Dark Night, appreciating bad blockbusters that feel, and more.
The film’s oddest creation is by far Patrick Swayze’s Johnny.
Long before Stephen Dorff went Somewhere with Sofia Coppola, he made his screen debut in 1987’s horror oddity The Gate.
Jaws: The Revenge all-too-well articulates the emptiness of nostalgia for its own sake.
The testosterone level is especially high during the early, purposefully more conventional stages of Predator.
It’s only the third tale that transcends the movie’s pleasant aura of video cult hit mediocrity.