Review: The Last Full Measure Trades Institutional Critique for Hero Worship
Oscar 2020 Winner Predictions: Sound Editing
Review: Guns of the Trees Wears Its Looseness as a Badge of Honor
Oscar 2020 Winner Predictions: Animated Feature
Oscar 2020 Winner Predictions: Supporting Actor
Review: Destroyer’s Have We Met Is As Strangely Vexing As It Is Familiar
Review: With Manic, Halsey Fearlessly Inhabits Her Myriad Parts
Eminem Drops Surprise Album and Anti-Gun Violence Video for “Darkness”
Review: Selena Gomez’s Rare Is Spotty in Its Attempts at Authenticity
The 25 Best Janet Jackson Songs
Review: SELF Nightmarishly Grapples with Our Vanishing Sense of Self
Review: The First-Person Puzzler Lightmatter Coasts on One Bright Idea
The 100 Best Video Games of the 2010s
Review: Life Is Strange 2 Boldly and Directly Plumbs America’s Darkness
Review: Wattam Whimsically Tasks Us with Finding the Epic in the Mundane
Review: The New Pope Depicts the Church with a Graceful Cynicism
The 50 Best TV Shows of the 2010s
Review: HBO’s The Outsider Conjures Mysterious Tableaux of Dread
Review: BBC and Netflix’s Dracula Is a Gory but Banal Adaptation of a Classic
Review: The Witcher Favors Fierce Fight Scenes Over World-Building
Oscar 2020 Winner Predictions: Documentary Feature
Oscar 2020 Winner Predictions: Makeup and Hairstyling
2020 Oscar Nominations: Joker, 1917, The Irishman, and OUATIH Lead Field
John Krasinski’s A Quiet Place Part II, Starring Emily Blunt, Gets Trailer
Kesha Gets Her Swagger Back in Raucous “Raising Hell” Single and Video
Watch the First Trailer for Martin Scorsese’s The Irishman
Blu-ray Review: Jean-Luc Godard’s Le Petit Soldat on the Criterion Collection
Review: House by the Cemetery Receives 3-Disc Limited Edition Blu-ray
Review: Rian Johnson’s Neo-Noir Breakout Brick on Kino Lorber Blu-ray
Sergio Corbucci’s The Hellbenders and The Specialists on Kino Lorber Blu-ray
Review: Fritz Lang’s House by the River on Kino Lorber Blu-ray
Under the Radar 2020: The Shadow Whose Prey the Hunter Becomes, Not I, & More
The Best Theater of 2019
Review: The Inheritance Is a Radical, If Short-Sighted, Take on Howards End
Review: Slave Play Is a Searing, Satirical Takedown of White Supremacy
Review: Broadbend, Arkansas and Soft Power Are a Mixed Bag of One-Acts
Reconciling Memory: Peter Stamm’s The Sweet Indifference of the World
John Sayles’s Yellow Earth Is a Masterfully Fair Hearing on Human Nature
In Find Me, the Sequel to Call Me by Your Name, the Echoes of Love Are Resounding
The Very Queer In the Dream House Explodes Expectations of Memoir
With The Institute, Stephen King Channels Political Outrage into Familiar Horror
That Garbage’s tour is called 20 Years Queer suggests they’re aware of the progress that’s been made since their figurative coming-out party in the mid ‘90s.
Ener to Win Blu-rays of House by the Cemetery and The Courier and a DVD of I See You
