Is an exploration of sex addiction, in all its different manifestations, the new flavor of the week in contemporary American cinema?
The Kids Are All Right plays like a pilot episode for a new Showtime series, but it’s a heartfelt and well-acted sitcom nonetheless.
After several climaxes and an inexplicable last-act betrayal, the filmmakers end up with one too many Superman fantasies piled up on top of one another.
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