How do you distinguish a movie that’s one of the greatest of all time from one of your all-time favorites?
Maybe that phenomenon is what inspires filmmakers to make concert documentaries in the first place: the challenge of simulating the feeling of being there.
My obsession with David Byrne and company, as so often happens with me, started with a movie.
Whoever watches it is likely to come away with a different set of observations related to the film’s structural and visual decisions.