The film reinforces the idea that it’s the job of those with disabilities to inspire the jerks of the word to be nicer.
For Stiller, apparently, James Thurber’s classic story is occasion to craft what eventually amounts to a totem to his own vanity.
A cinematic Hallmark card about the triumph of the human spirit, it finds Ben Stiller courting Oscar-season accolades through a tale that’s all schmaltz, no substance.
Saying The Promotion’s tone is all wrong would imply that it had a tone to begin with.
Strictly for fans of Sprint commercials.
The Weather Man disingenuously conveys the fickleness of day-to-day existence via a monsoon of profane, contrived moroseness.