The fourth film in the Insidious franchise, directed by Adam Robitel, is lazy and sometimes even loathsome.
Afterlife lacks tension, dread, angst, humor—you name an emotion, it’s not there.
Resident Evil: Extinction brings to mind an alt-metal remake of Romero’s Day of the Dead.
We are in a golden age of computer-generated animation.
What’s disheartening about Monster House isn’t just that it turns out to be a spasmodic, cacophonous roller coaster ride.