It bolts down a foreseeable slasher-movie trajectory, laying on thick the dramatic irony while constantly inventing new reasons to punish its characters for old iniquities.
Is everyone ready for Mark Wahlberg to tap in with another test run of his wooden “surprise face”?
David Mackenzie uses Mister Foe as an occasion to infuse his smutty purview of modern romantic relations with twee affectation.
“The Girl in the Fireplace” may be the crowning achievement of Doctor Who’s second season.
Given the nature of the film, the image and audio is almost too good, but the film’s laughs still resonate through the spic-and-span treatment.
The matter-of-fact filmmaking style is made up for by the vitality of the all-around fantastic performances.
Tristan and Isolde doesn’t deserve James Franco’s fine performance.
The film takes the fetishization of the vampire in contemporary pop culture quite literally.
The London of the film is a delirious embodiment of a raging inferno, and the many on-screen deaths are remarkable to behold.