There’s only so much Charles Stone III can do with the script’s “head held high” cornpone.
If there’s an album in Snoop’s catalog that has withstood the test of time, it’s his scruffy debut.
Day Shift’s first half is an unexpectedly focused, consistent pleasure, while the second sags under the weight of recycled set pieces.
If the SpongeBob franchise has finally gone on the run, it seems like it’s left the audience that matters most in the dust.
After its promising first act, Craig Brewer’s film becomes a series of fleeting bits, allowing questions to pile up.
Throughout, the film tirelessly hammers home the point of being true to yourself.
With the film, Harmony Korine solidifies his position as the premier cartographer of the Sunshine State as a place of unhurried pursuits.
Bible of Love is a stultifying two discs of competent but generic Christian platitudes.
A welcome sign of life from an MC who many assumed to be over the hill, and where it fails, it fails on its own terms.
Jorge Hinojosa wisely subverts Slim’s mythos by pulling the curtain back on it in the doc’s second half by revealing the man beneath.
As a film about social issues, and simply being yourself, it’s commendably progressive, going so far as serving as a kind of coming-out story.
Essentially 90-minute promo video carefully orchestrated by the artist formerly known as Snoop Dogg and his handlers.
The film is a low-rent neo-noir propped up by descriptions of, rather than depictions of, sexual kink.
It’s difficult to pinpoint exactly when Calvin Broadus lost his relevance.
Judging by the guest list attached to Malice, Snoop’s celebrating a lot of unbirthdays these days.
A hearty DVD release with a great commentary track for what is possibly the final chapter of Futurama.
On the album, Snoop tries to reconcile his past with his newfound family-man status.
Word of advice to Madonna: Work with notoriously bratty directors more often.
Luc Besson’s Arthur and the Invisibles clears the smog left behind by the year’s dubious family entertainments.
For a hip-hop icon defined by his cartoonish gangsta-pimp persona, Snoop Dogg turns out to be the most genuine presence here.