The album tosses the singer’s pop aesthetic into the shredder with heavy metal and industrial rock.
The film is more interested in how people respond to extreme emotional crises than to everyday life.
The singer’s new single moves her even further from her sparkly synth-pop origins.
If the music is beside the point, why are we supposed to care about the people who made it?
The technical sophistication of Edgar Wright’s artistry reaches new heights with this heist-cum-musical.
Throughout the film, Nicolas Cage holds the screen with his distinct timing and expressive force of being.
Liza Johnson’s film is generally taken with comfy gags that celebrate these men’s ownership of pop culture.
The film is more cognizant of cultural imperialism’s smugness and presumptuousness than its spiritual predecessor, the exploitation classic Cannibal Holocaust.
Blood Orange’s sophomore effort details a chronicle of alienation and broken romance with slow, melancholic, ’90s-gazing jams.
The album might just be the sort of darkly painted neurosis needed to combat popular music’s deluge of silly and crude self-affirmations.
Charli XCX’s debut, True Romance, only dropped five months ago, but she’s already prepping her follow-up.
One of the best and under-seen films of the year gets a surprisingly attentive DVD treatment. See it.
Well, Ferreira is finally making her proper stateside debut this month with a five-track digital EP.
Putty Hill isn’t really about death at all as much as it is about the more mundane ways that people deal with being hurt.
Basement Jaxx’s lopsided, Schaffel return to form, may very well have been commissioned by Audi to sell their A7 Sportback.