Kino’s exquisite 4K transfer is easily the best that Eastern Promises has looked on home video to date.
In the wake of the ostentatious atmospherics summoned by the likes of Shutter Island and American Horror Story: Asylum, the film feels unnecessarily restrained.
Even as the Oscar push for Revolutionary Road remains in full swing, Sam Mendes returns to his theater roots with his latest production of The Cherry Orchard.
Tiger’s Tail never feels like the work of director known for his subtle and poetic dramatizations of moral crisis.
David Cronenberg’s contemplation of codes of masculine honor is deliciously transgressive.
V for Vendetta, unlike the Alan Moore comic from which it's adapted, is scarily flat.
It’s little wonder that Alan Moore has officially disowned the movie version of his dystopian comic series V for Vendetta.