Cannes Film Festival 2012: Carlos Reygadas’s Post Tenebras Lux by Budd Wilkins May 25, 2012 Reygadas’s new film is a textbook example of how to tell a basic story in the most complicated, off-putting manner conceivable.
On the Circuit: Silent Light by Keith Uhlich September 9, 2007 Save for Silent Light’s bookend sequences, Reygadas works mainly in the implicative margins.