Theoretically and visually, Equus is a dense monster of a play.
He’s Mad As Hell, and He’s Not Gonna Fake It Anymore…or Is He? Aaron Russo’s Democracy: Freedom to Fascism
by Dan Jardine
Aaron Russo’s alarmism is matched by dubious interpretations of facts.
It’s hard to fathom what drew Sidney Lumet to Find Me Guilty aside from the opportunity to once again immerse himself in courtroom wrangling.
Sidney Lumet contributes a professional commentary, unexciting but competent, like many of his films.
Jane Fonda is having fun, but her character is only an echo of her great loser heroine in They Shoot Horses, Don’t They?