Review: The Good Liar Is Ambivalent to Both Genre and History
Review: Todd Haynes’s Dark Waters Spreads the News, Without Embellishment
Review: Charlie’s Angels Has Good Intentions but Lives in La-La Land
Interview: Lauren Greenfield on The Kingmaker and Threats to Democracy
Review: The Hottest August Is a Rich Patchwork of Discontented Voices
Review: I Made a Place Finds Bonnie “Prince” Billy at His Most Existential
Review: Nirvana’s MTV Unplugged in New York Remains a Timeless Musical Document
Review: FKA twigs’s Magdalene Is a Knotty Meditation on Self-Possession
Review: Miranda Lambert’s Wildcard Lowers the Stakes to Diminishing Returns
Review: Kanye West’s Jesus Is King Is a Compelling But Veiled Act of Self-Worship
Review: Need for Speed Heat Revs Up with Ridiculous Action but Real Stakes
Review: Luigi’s Mansion 3 Is a Blast of Slapstick Hilarity and Cooperative Play
Review: The Outer Worlds Sticks It to the Man at the Expense of Humanity
Review: Overwatch’s Switch Port Is Great on the Go but Not at Home
Review: Disco Elysium Is a Shrewd Whodunit and Marvel of Open-Ended Design
Review: Season 3 of The Crown Makes Progress Look and Feel Wearisome
Review: For All Mankind Prioritizes Cynical Alternate History Over Character
Review: Apple TV’s See Feels Startlingly Uncommitted to Its Bonkers Concept
Review: The Morning Show Boldly Navigates the Nuances of the “Me Too” Era
Review: Season 2 of Jack Ryan Leans Hard on Generic Action and Stale Plotting
The Best Stephen King Movies, Ranked
Interview: Max Richter on His Ad Astra Score and its So-Called Planetary Instruments
A Space in Time: Doclisboa 2019 Explores the Politics of Memory, Space, and the Image
The 100 Best Horror Movies of All Time
Kesha Gets Her Swagger Back in Raucous “Raising Hell” Single and Video
Watch the First Trailer for Martin Scorsese’s The Irishman
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
Blu-ray Review: Criterion’s Godzilla: The Showa-Era Films 1954-1975
Review: Don Siegel’s Neo-Noir Thriller Madigan on Kino Lorber Blu-ray
Review: Carol Reed’s The Man Between on Kino Lorber Blu-ray
Blu-ray Review: Leon Gast’s When We Were Kings on the Criterion Collection
Blu-ray Review: Clive Barker’s Hellraiser Gets New Arrow Video Edition
Review: Broadbend, Arkansas and Soft Power Are a Mixed Bag of One-Acts
Review: The Speed Is the Rub at Classic Stage Company’s Macbeth
Review: Scotland, PA Finds Its Purpose When It Sticks to the Bard
Review: Tracy Letts’s Linda Vista Doesn’t Make Enough Space for its Women
Review: The Lightning Thief Struggles to Summon Epic-Scale Spectacle
In Find Me, the Sequel to Call Me by Your Name, the Echoes of Love Are Resounding
The Very Queer In the Dream House Explodes Expectations of Memoir
With The Institute, Stephen King Channels Political Outrage into Familiar Horror
With Year of the Monkey, Patti Smith Spins Dreams Into Topsy-Turvy Words
Anatomy of an American Family and National Memory: Nell Zink’s Doxology
Win a Copy of Forager, a Blu-ray of Yellowstone: Season 2 Signed by Kevin Costner, and More
