Interview: Lynn Shelton on Honing Her Process for Sword of Trust
Review: Into the Ashes Brings Nothing New to the Country Noir Genre
Review: Stéphane Brizé’s At War Is Politically Charged but Artistically Inert
Review: Bottom of the 9th Strikes Out with Too Much Plot Incident
Review: Crawl Is Fun and Economical but Lacks Go-for-Broke Inventiveness
Review: Thom Yorke’s Anima Finds the Singer Raging Against the Apocalypse
Review: Banks’s III Comes on Strong but Falls Short of Pushing the Limits
Decoding Madonna’s Disturbing “God Control” Video
Review: Chris Brown’s Indigo Is a Bloated, Incoherent Personal Statement
Review: Crumb’s Jinx Is a Psych-Rock Debut That’s Hard to Shake
Review: Sea of Solitude Offers a Dreamscape Awash in Banal Abstraction
Review: Super Mario Maker 2 Joyously Puts Creation in the Player’s Hands
Review: SolSeraph Makes You an Angel but Traps You in Gaming Hell
Review: Judgment, Though Too Reticent, Is a Worthy Yakuza Spin-Off
Review: Bloodstained: Ritual of the Night Is a Sign of the Metroidvania’s Bright Future
Review: Season Three of Harlots Retains the Show’s Campy Flourishes
Review: The Loudest Voice Is Confirmation Bias as Liberal Bedtime Story
Review: Legion’s Unhinged Final Season Plunges Us into an Unknowable Mind
Review: City on a Hill Is a Bonanza of Character Detail and Hammy Thrills
Review: Years and Years Is a Captivating Dystopian Family Drama
Interview: Paul Tremblay on Growing Things and the Hope of Horror Fiction
Interview: Jack Reynor on His Reverse Hero’s Journey in Midsommar
All 23 Marvel Cinematic Universe Movies Ranked, from Worst to Best
Interview: Calexico and Iron & Wine Talk Years to Burn and Collaboration
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
James Gray’s Ad Astra, Starring Brad Pitt, Gets Official Trailer
Terminator: Dark Fate Official Trailer: Going Back to the Well with Sarah Connor
Blu-ray Review: Bruno Dumont’s L’Humanité on the Criterion Collection
Review: Andrew Bujalski’s Mutual Appreciation on Arbelos Films Blu-ray
Review: Jean-Luc Godard’s Alphaville on Kino Lorber Blu-ray
The Myth of the American Dream: Francis Ford Coppola’s The Godfather Trilogy
Blu-ray Review: Bruno Dumont’s La Vie de Jésus on the Criterion Collection
Review: Frankie and Johnny in the Clair de Lune Shines a Light on the Vagaries of Love
Interview: Terrence McNally on the Timeless Frankie and Johnny in the Clair de Lune
2019 Tony Nominations: Hadestown and Ain’t Too Proud Lead Field
Review: Agree or Disagree, Mrs. Murray’s Menagerie Keeps Us at a Distance
Review: What the Constitution Means to Me Is a Perfect Union of Past and Present
Review: Cari Mora Luridly and Bitingly Plumbs Man’s Capacity for Evil
Review: The Beatles Through a Glass Onion: Reconsidering the White Album
Review: Bret Easton Ellis Uses White to Explode Our Pretenses of Dignity
Review: David Bordwell’s Reinventing Hollywood & W.K. Stratton’s The Wild Bunch
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