Actors Benicio Del Toro and Josh Brolin, producer Molly Smith, and director Stefano Sollima discuss the film’s function as a spinoff of Sicario.
When in doubt, fall back on the most reliable barometer of them all: And the Oscar for most sound editing goes to…
Emmanuel Lubezki’s ornamental imagery for The Revenant signifies nothing so much as the look that $135 million can buy a director.
For Ennio Morricone, being hitched up to Quentin Tarantino’s nostalgia-flattering métier, will be enough to ensure his first competitive Oscar.
Every year, Oscar bloggers put on a pretty good show in pointing out how, unlike all previous years, this year is truly a wild, unpredictable free-for-all.
The one saving grace of Sicario is the considerable talent of cinematographer Roger Deakins.
Throughout Malick’s film, the new and old are incessantly twinned, blurred into a package that suggests an experimental dance piece.