Review: Jumanji: The Next Level Finds a Series Stuck in Repeat Mode
Review: Chinese Portrait Is a Grand Reckoning with the Passage of Time
Review: Bombshell Is a Collection of Quirks in Search of a Trenchant Criticism
Review: Richard Jewell Leans Into Courting Conservative Persecution Pity
Review: Cunningham Obscures the Voice That It Wants to Celebrate
The 50 Best Songs of 2019
The 12 Worst Christmas Songs of All Time
The 25 Greatest Beck Songs, Ranked
Review: Beck’s Hyperspace Is As Lyrically Vague As It Is Sonically Minimal
The 20 Best Rihanna Singles
The 25 Best Video Games of 2019
Review: Mosaic Gets the Feel of Monotony, for Better and for Worse
Review: Shenmue 3 Brings Philosophical Depth to Video Game Action
Review: Star Wars Jedi: Fallen Order Successfully Channels Dark Souls
Review: Death Stranding Is a Surreal Elegy to the Work that Binds a Broken America
The 25 Best TV Shows of 2019
Review: Truth Be Told Is Uninterested in the Malleable Nature of Truth
Review: Joe Pera Talks with You Digs Into the Truth About Our Preoccupations
Review: Servant Is an Unrelentingly Strange Examination of Grief and Denial
Review: Season 3 of The Crown Makes Progress Look and Feel Wearisome
Interview: Eddie Redmayne on The Aeronauts and Accessing Physicality
Interview: Jessica Hausner on Little Joe and the Ways of Being and Seeing
Kesha Gets Her Swagger Back in Raucous “Raising Hell” Single and Video
Watch the First Trailer for Martin Scorsese’s The Irishman
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
Blu-ray Review: Benjamin Christensen’s Häxan on the Criterion Collection
Blu-ray Review: Fritz Lang’s Indian Epic from Film Movement Classics
Review: Jacques Rivette’s Joan the Maid on Cohen Media Group Blu-ray
Blu-ray Review: Richard Franklin’s Road Games Joins the Shout! Factory
Blu-ray Review: The Story of Temple Drake on the Criterion Collection
Review: The Inheritance Is a Radical, If Short-Sighted, Take on Howards End
Review: Slave Play Is a Searing, Satirical Takedown of White Supremacy
Review: Broadbend, Arkansas and Soft Power Are a Mixed Bag of One-Acts
Review: The Speed Is the Rub at Classic Stage Company’s Macbeth
Review: Scotland, PA Finds Its Purpose When It Sticks to the Bard
In Find Me, the Sequel to Call Me by Your Name, the Echoes of Love Are Resounding
The Very Queer In the Dream House Explodes Expectations of Memoir
With The Institute, Stephen King Channels Political Outrage into Familiar Horror
With Year of the Monkey, Patti Smith Spins Dreams Into Topsy-Turvy Words
Anatomy of an American Family and National Memory: Nell Zink’s Doxology
Grass has a thorniness that starkly resists the cutesy self-pity that can sometimes seep into Hong’s films.
Win a Joker Digital Code, Downton Abbey and Fritz Lang’s Indian Epic Blu-rays, and More
