Be Myself is an application of cumulative influences rather than just a rehash of the singer’s pop heyday.
The all-access pass the film affords viewers on the outside looking in turns out to be a double-edged sword.
100 Miles from Memphis proves that Sheryl Crow may have an affinity for Southern soul, but she doesn’t necessarily have an aptitude for it.
As in publishing, the alarmist polemic has become its own documentary subgenre, and Fuel is merely its latest entrant.
Sheryl Crow’s Detours reunites the singer with producer Bill Bottrell for the first time since her debut. Read our review.
Sheryl Crow remains a strong writer and singer, to the extent that Wildflower earns more than just a passing recommendation.
Sheryl Crow’s self-titled sophomore effort remains her most consistent and distinctly modern album to date.
C’mon, C’mon achieves its intended classic rock ether and even revives Sheryl Crow’s trademark quirk.