The long-neglected middle child of art cinema’s triptych of psychodramas surrounding misplaced/mistaken/stolen female identities
Altman’s least appreciated masterwork has been blessed with a great transfer.
Virtually every one of Altman’s signature hallmarks are very much alive in his 1980 film.
If only anvils had fallen instead of money, all of this might have been averted.
Warner Home Video does an amazing job preserving Vilmos Zsigmond’s legendary cinematography.
It could be the most authentic representation of wilderness life ever put on screen.