Review: Vice

Vice is as noisy as the media landscape that writer-director Adam McKay holds in contempt.

Review: Beirut

Brad Anderson’s Beirut shows how espionage might appeal to the sort of masochist who’s also an adrenaline addict.

Review: Cop Car

The narrative derives much of its tension from the unsentimental ambivalence Jon Watts displays toward the story’s two pre-teen boys.