The film often plays like a straight-faced homage to a genre of film that has been cannily geared in recent years to urban audiences.
Really, it could have been worse-like, say, Shadowboxer’s fantasy of Joseph Gordon-Levitt and Mo’Nique as lovers.
Where Little Man really soils itself is in its calculated attempt to achieve so-bad-it’s good status.
What is the film’s drag act but an excuse for Marcus and Kevin to learn how to respect a woman’s feelings?
Unlike the sketchy but inspired Marci X, the misguided White Girls doesn’t seem to have anything relevant to say about race relations.
The quality of Scary Movie 2 can only be measured by the ratio between what jokes work and what jokes don’t.