Ultimately, the time-traveling conceit feels like a shameless ploy to further expand the franchise’s narrative universe.
In its second season, The Following remains trash that doesn’t even have the common courtesy to be self-consciously trashy.
At the center of Jamie Babbit’s film, festering like an open sore, is the stereotype of the psycho lesbian bitch.
The series loses some of its drive by its dreary fourth episode, when a labored love triangle mars the overall flow of the central arc
Despite being a nasty and skillful action film, The Day goes off the rails in the final stretch.
There’s a self-seriousness to most contemporary horror remakes that’s authentically disgusting.
Frozen is a ludicrous, uneven horror film that still successfully puts the screws to the audience.
Nobody makes it out of the film looking good, but that’s clearly not the point.
Filmmaker Carter Smith is going places, something which can’t be said about the characters in The Ruins.
Smith’s depiction of deteriorating-under-pressure group dynamics comes to an abrupt end just as it gets going.
Each of its stories is a hissy fit of heinous proportions, one progressively worse than the other.
The sense of disquiet that The Quiet stirs feels unintentional, suggesting behind-the-scenes conflict.
Prepared to be stunned, because Brett Ratner does not completely sully your beloved mutants-versus-the-world franchise.
Marcos Siega’s hackneyed, by-the-books action-comedy deserves a dunce cap.