It’s adept at showing how the slavers’ hateful descriptions of their victims are more than simply demeaning.
Can you think of any black actresses under 30 who are headlining films? Take your time.
It’s unfortunate that we never learn what Diana is actually running from.
The poster knows its movie’s milieu, its genre, and its character’s superficial appetite for, well, everything.
The Help represents a pitiful lack of progress, and that’s hardly an indictment of the ways its characters and events are depicted on screen.
Leave it to Fucked Up to illustrate so neatly that accessibility doesn’t have to herald the loss of credibility.
