The Sweet East is pretty fuzzy on what it wants its national tour of brainless dogma to mean.
This mordant but oddly nostalgic film receives a strong release that testifies to the Safdie brothers’ then-nascent talent.
Golden Exits, the new film by Alex Ross Perry, a favorite of this festival, is an explosion of the director’s aesthetic.
Throughout Thirst Street, Nathan Silver captures a superbly varied set of performances from his cast.
If you’re not on Swanberg’s side, you’ll find yourself struggling with all of this.
Ronald Bronstein’s Frownland is a film whose synopsis screams, “Avoid at all costs.”