Sofia Coppola’s hypnotic and elegiac debut feature gets a sterling UHD upgrade from the Criterion Collection.
Kino’s UHD upgrade of The Silence of the Lambs presents the film at theatrical-grade quality.
Greenland is, for better and worse, the most subdued disaster movie that Gerard Butler has ever made.
There are enough left turns here to allow us to shake the impression that we’ve been to this rodeo before.
Coppola’s luscious and formidable debut feature gets a deserved star treatment from the Criterion Collection.
Criterion superbly refurbishes one of the most disturbing and least conventional love affairs in the history of cinema.
The film arrives on home video without a single extra from Kino in a stellar but barebones Blu-ray presentation.
Director David Hackl often shoots his bear in fashions that accent its lumbering, powerful grace, even during its death rattle.
The episode is, principally, a reconsideration of characters we believe we’ve come to know.
It pauses to establish the constellation of conflicts driving the first season of The Leftovers to its conclusion.
Compared to “Pilot,” “Penguins One, Us Zero” is more focused, but the ambivalence it provokes remains the same.
Nashville is one of the most revealing portraits of America ever made, and it’s never looked or sounded this good.
The film comes to Blu-ray armed with a superb A/V transfer and a solid packing of extras from Universal.
For better or worse, Lee Daniels has managed to deliver one of the year’s most unforgettable movies.
This is an unbelievably silly movie, with a script that must eventually come to terms with the fact that it’s just another globetrotting spy caper.
The primary tactic in Snyder’s repertoire is decontextualization.
So try this scenario on for size: You’re just a regular guy who likes to look at porn on the Internet.
Zack Snyder offers a peek inside his head, which turns out to be a vomatorium of pop culture’s every geeky element.
All that’s missing from this set is a ticket voucher for the film’s eventual IMAX re-release.
An admirable Sienna Miller effort isn’t enough to save this strange, plasti-quirky mess.