Bullet Train pulls off the notable feat of making human beings out of cartoonishly violent psychopaths.
The Lost City is proof that star power and chemistry can only take a film with a mediocre script so far.
The Unforgivable is devoid of all textures and emotions that don’t readily affirm the film’s rigid worldview of redemption.
It’s an imagination-starved redo of The Happening crossbred with a more malevolent strain of zombie-flick DNA.
Part of the pleasure of Gary Ross’s film lies in watching it turn a typically male-dominated genre on its head.
The film only serves to validate George Clooney’s devotion to showmanship as Hollywood’s current reigning poster boy for blue-state morality.
Cuarón’s visually dazzling tale of survival in space gets the royal treatment from Warner.
If there’s anything with even the slightest ability to nudge Cate Blanchett’s path to Oscar victory off course, it’s the seemingly endless Farrowgate scandal.
It’s practically blasphemous to discount Meryl Streep as a nominee.
If I had to bet which Oscar contender will score the most nominations without a single win, I’d go for Saving Mr. Banks.
The doc is dressed to the nines in pomp and patriotism, which seems meant to hide the fact that the film offers very little in the way of valuable reporting or insider information.
This is a film that most would agree boasts a whole lot of locks and scant few question marks.
I’m so thankful I moved in time to take in the indelible shot of Sandra Bullock floating in an embryonic state.
So, Contagion is the reigning champion—at least, until Alfonso Cuarón’s Gravity opens in IMAX 3D this Friday, the first AHB to open in the two-plus years since.
Alfonso Cuarón’s triumph is an invigoratingly clean, elegant display of action choreography.
Alfonso Cuarón’s Gravity harkens back to a time in the history of cinema when a film was an “event.”
The robbers in The Bling Ring aren’t the professionals scripted by John Huston, W.R. Burnett, and Ben Maddow in The Asphalt Jungle
With the film, Melissa McCarthy definitively cements her status as a legitimate comic talent, leaving her co-star stumbling behind in her wake.
Consider Bigelow a virtual lock, tightening up the Best Director field alongside Steven Spielberg, Ang Lee, Ben Affleck, and, perhaps, Tom Hooper or David O. Russell.
Lots of folks go missing in the movies, and some of the most memorable are right here in this list.