One of the festival’s genuine, if lower-key highlights, which lent focus to its literary origins as well as to its filmmakers, was Intruder in the Dust.
Almost out of necessity, White finds a particularly prominent motif throughout Haynes’s work: a fascination with the out-of-line family.
Barry Forshaw has made a career out of studying the dames, pistols, machismo, and glistening city streets that define crime fiction.
If you require a prescription for sexploitation wackiness, you’ve come to the right place.