As the series progresses toward its climax, its frequent tonal shifts distract from the substance of the story.
At the center of Jamie Babbit’s film, festering like an open sore, is the stereotype of the psycho lesbian bitch.
Lost is a show fairly obsessed by notions of duality.
What is the formula that drives most TV series but a pleasant form of inevitability.
“Greatest Hits” is the closest Lost has come to a perfect episode since its pilot.