Unsurprisingly, Welles doesn’t efface his artistic personality for The Trial.
Criterion’s dazzlingly immersive presentation of La Piscine offers the next best thing to a vacation on the French Riviera.
Visconti’s magisterial character study receives a stunning 2K restoration and a brace of excellent supplements.
With magnificent gentleness, Claude Sautet sketches a half-dozen indelible portraits.
Andrzej Zulawski’s first movie made in exile is a meditation on the preposterousness of being a couple.
A modest package for a less than explosive French New Wave curio.
The secret passion of the cinephile is to find a hidden treasure.
The assiduous storytelling gives a satisfying and disturbing glimpse at how one man’s obsessive, perfectionist drive.
The second Zulawski film put out by Mondo Video maintains their impeccable standards of quality.
This isn’t the realm of sentimentality, because love here is violent and obsessive and all-encompassing.
Until recently, Claude Sautet’s Classe Tous Risques was a long forgotten noir relic.
10:30 P.M. is still too early for Dassin’s turgid melodrama.
10:30 P.M. Summer is ludicrous enough to merit inclusion in the recent Cult Camp Classics DVD collection.