When it comes to playing at revolution, Leone suggests, it’s best not to get involved.
Criterion’s release breathes new life into a self-appraising late period work that’s a lavish and lugubrious meditation on art and death.
This three-disc set of 1900 is significant for presenting Bertolucci’s most epic epic in its most complete form.
Luchino Visconti’s The Leopard is more than a tad too pleased by its own spots.
Do not go gentle into that night, Don Visconti. Rage, rage against the dying of the “Lights, camera, action!” era.
The film is less failed vanity project than it is an often sensitive and rather death-obsessed character study.
This is a spotty but interesting early Al Pacino vehicle that rewards another look.
My mistake. Four coffins for all previous video versions of these films.