Like Viola, Matías Piñeiro’s pastiche of Twelfth Night, the film delights in sowing epistemological uncertainty.
If Santiago Mitre doesn’t transcend the issues of the writer’s film with quite the grace of A Separation, he nonetheless manages to make good use of a fine cast.
Santiago Mitre Mitre infuses The Student with a fleet political-thriller pace that can be said to reflect the main character’s mindset.