The intimacy of writer-director Mia Hansen-Løve’s Maya is as precise as its intellect is vague.
The film is further confirmation of Mia Hansen-Løve’s delicately devastating ear and touch as a filmmaker.
Mia Hansen-Løve suggests that the desire for fulfillment—of ideology through revolution, of true love through coupledom—is a cute illusion wasted on the young.
Every substrata of music geekdom deserves a period piece as this swan song for the golden era of French house music.