Claire Denis’s Let the Sunshine In is an exquisite romantic comedy whose laughs are sad and whose sadness is funny.
Given that there are seven essays plus an introduction, there are seven relatively distinct, internationally significant discussions, and a high quality remains consistent throughout.
Terence Davies’s films often run on multiple kinds of consciousness.
What we can glean from the story comes to us in the form of characters defined not by marriage, but by sex—the having of it, the anticipation, and the desire to explicate of it.
A film like Certified Copy explodes truisms about acting.