If you’re like me, you enjoy that hearty, full-bodied, elemental component of language that is the swear word.
The unique thing about the festival is that no one is trying to sell their movie.
Life might very well lack purpose, and it might very well be a struggle, but that doesn’t mean you have to be an asshole about it.
Nicholas Jarecki’s The Outsider doesn’t have the edge of a race-conscious James Toback film.
As his overactive jump cuts prove, Russ Meyer directs films as though he’s perpetually on the cusp of a fantastic orgasm.
The original Valley of the Dolls was a Bentley. Meyer and Ebert’s Beyond is a Rolls.
Chaw rages against the Hollywood machine’s depictions of class, gender and race, puncturing political correctness.
What follows is a numbered, point-by-point subjective breakdown of The New World’s two versions.
Amazingly, this movie has been embraced by some of the country’s most prominent critics.
The sci-fi epic that has proved surprisingly divisive for such a gentle movie.