Ray Davies seamlessly transitions to the role of director and shapes his artistry for a new format.
Emmanuel Lubezki’s ornamental imagery for The Revenant signifies nothing so much as the look that $135 million can buy a director.
No Oscar category has become as big a flash point among cinephiles as the cinematography prize.
This is a film that most would agree boasts a whole lot of locks and scant few question marks.
Just as we’d expect from the Academy, there’s no shortage of lushness on display in this year’s nominees for best cinematography.
The first wave of guilds—directors, producers, and actors—all supplicated down on their knees for The King’s Speech.