Rodrigo García’s film is fastidious, tidy, and lifeless, with every obligatory gesture in its place.
It’s unclear how witnessing a family deal with their specific issues affects Jesus’s own perspective on his destiny.
Albert Nobbs is a headline-grabber that never transcends its gimmick, trying so hard to be socially humane that it forgets to be human.
Like most omnibus movies, Revolución is uneven and sometimes underdeveloped.
Only Fernando Eimbcke’s The Welcome Ceremony, the first episode of this anthology film, is a marvel of short-form filmmaking.
Watching these thoroughbreds go through their paces is enough to make this movie worth seeing.
Rodrigo Garcia’s film is a two-hankie weepie for the family-values set.
HBO delivers the nine-disc set in a smart, well-designed package that opens like a book rather than the usual foldout design.
Rodrigo García’s monotonously deliberate, portentous latest is solely predicated on its twist ending.
A bad movie is worst when you can sense the meaningful intentions of its creators.
The next-best thing to hanging out at the Bing.