Criterion’s beautiful 4k transfer and an abundance of extras do justice to one of New Hollywood’s more complex and challenging social message movies.
A good transfer and a great audio commentary pivotally contextualize The Big Knife as a neurotic and lastingly influential American melodrama.
Shout! Factory wasn’t quite able to rouse itself up to its typical standard with The Amityville Horror Trilogy, which is understandable considering the general dullness of the films themselves. Horror fans are advised to look elsewhere.
Otto Preminger’s version of a flag-waver, a condemnation of oxymoronic military justice, is a moral chess game that can’t try very hard to fake phony uplift.
This Criterion Collection presentation of a strange classic is very much a contender.
A self-described “down-east liberal,” Stoehr is all too aware of the irony that the foreword to Ride, Boldly, Ride was written by Eastwood.
My mistake. Four coffins for all previous video versions of these films.
Like Michelangelo Antonioni, Francesco Rosi sees architecture as a reflection of cultural turmoil.