Sony’s insistent to let fans have their webs and sling them too and the high-flying 4K Blu-ray does precisely that.
Marc Webb proves unwilling, or incapable, of making this unwieldy story feel like anything but a deluge of backstory.
the black void of death is the darkness du jour in Abrams’s bracingly revisionist melodramedy.
This dry-as-dust enterprise bogs down in an almost total lack of energy and imagination that no amount of faux earnestness can overcome.
Cowboys & Aliens mashes up genres with a staunch dedication to getting everything wrong.
Banal, belligerent, and brain-dead, it ultimately succeeds only at being far less than meets bare-minimum cinematic standards.
It’s easier to think of the film as a qualified success given its undeniable recovery from a laughably abysmal opening scene.
The movie is “more than meets the eye”: an elaborate advert for the U.S. military. “Be all that you can be” would have been more honest.
If Michael Bay loves the military so much, why doesn’t he just marry it?
This disc boasts more fulsome praise for Tom Cruise than any DVD can feasibly handle without self-destructing.
The film is less insanely intricate than Brian De Palma’s 1996 original and far less flamboyantly queer than John Woo’s 2001 sequel.
Bring home the Legend.
Stitched together from a variety of disparate elements, The Legend of Zorro is a frustrating hodgepodge of a movie.
I think we’re far enough along in our civilization that the following can be stated with absolute authority: all Michael Bay movies are evil.