The infamous grindhouser Torso pales next to director Sergio Martino’s more inventive sleaze-thrillers.
Though not without voyeuristic subtext and sleazy kicks, Torso makes for a pretty anemic bloodfest.
With Camille 2000, Radley Metzger began to let his experimental impulses emerge.
Probably the most common misconception about Metzger’s films is that they are “innocent.”