A wealth of contrasting stimulation gives the film a singular and intimate atmosphere.
Criterion has outfitted Anderson’s magical and career-redefining whatsit with a shimmering and gorgeously immersive transfer.
The film risks offense by putting a typically Adam Sandler-ian twist on a tired familial trope.
Yet another instance of a decent, potentially thorny premise bogged down in a mess of treacly sentiment and tedious moralizing.
You Don’t Mess with the Zohan is, against all odds, Adam Sandler’s funniest effort in close to a decade.